Top: The Elepanti, or The elephant who lost his trunks. (Detail of a larger painting). Gouache.

Circle: Glaucus, at the Lake Parade. A water divinity like Neptune but unlucky in love. Acrylic and Oil on canvas.


Oil, acrylic and gouache

The (reckless) wave meets the (soft) shore The island of dreams. Modelled on the Island of Skellig Michael near Portmagee.

Oil and acrylic

  • 01. Oil and acrylic on Cotton. <strong>Glaucus. A moment of introspection.</strong> A moment of introspection during the Geneva Lake Parade. The unlucky (in love) equivalent of the sea God Neptune (100cm x 100cm)
  • 02. Oil on Aluminium. <strong>Tin opener</strong> What use is a tin opener without electricity or tins? Western artifacts reach the islands of the pacific. Early work. (64.5 x 90.5)
  • 03. Oil and acrylic on Canvas. <strong>The Lake at Divonne</strong> View of the Lake on a calm day at Divonne - unfinished (130cm x 97cm)
  • 04. Oil and acrylic on Aluminium. <strong>Quetzacoatl</strong> Quetzacoatl and Xipé, both appreciate fresh skin.(50cm x 64cm)
  • 05. Oil and acrylic on Canvas. <strong>Stonebird</strong> Is itatural or carved? (97cm x 130cm)
  • 06. Oil and acrylic on Canvas. <strong>Emposium (The bottomless well)</strong> An natural drainage hole found in the Jura, where water escapes from a closed valley. (77cm x 49cm)
  • 07. Oil and acrylic on Canvas. <strong>A little bit of eternity</strong> In the beginning and at the end. Religious (100cm x 140cm.)
  • 08. Oil and acrylic on Canvas. <strong>A little bit of eternity</strong> A detail of the centre of it all. As in the beginning and at the end. (100cm x 140cm.)
  • 09. Oil and acrylic on Cotton. <strong>Moses makes a mistake</strong> Moses gets it backwards. (100cm x 100cm.)
  • 10. Oil and acrylic on Aluminium. <strong>Salomé</strong> A detail of «Salomé» showing her and her father. (49cm x 77cm)
  • 11. Oil and acrylic on Aluminium. <strong>Salomé </strong>Salomé and her father. Full picture - Also see poems. (49cm x 77cm)
  • 12. Oil and acrylic on Board. <strong>Cave Ancestors</strong> Inspired by Magdalenian painters. (97cm x 130cm)
  • 13. Oil and acrylic on Board. <strong>Cave ancestors</strong> Detail. Why did our ancestors go 1.6 kilometers underground, 35’000 years ago, to paint pictures? (97cm x 130cm)
  • 14. Oil and acrylic on Aluminium. <strong>Bird of Paradise</strong> Detail. The bird of Paradise is the bird on the left. (110cm x 160cm)
  • 15. Oil and acrylic on Board. <strong>Morning light</strong> The heart of the forest awakes as the first rays of the sun penetrate. (73cm x 131cm)
  • 16. Oil and acrylic on Board. <strong>Resurrection </strong>Detail, (128cm x 69cm)
  • 17. Oil and acrylic on Canvas. <strong>St. Brais and the Cedar</strong> A village in the Swiss Jura, The real blue of the mountain on the opposite side of the valley. One morning on the road between Saignelegier and St. Brais. The cedar - The Lebanese war was ongoing at the time (97cm x 130cm)
  • 18. Oil and acrylic on Cotton <strong>Third Temptation</strong> One of a tryptich. Temptations of Jesus as youngster. This one is the ultimate, «Throw yourself off a building, and your father send his angels to save you». (i.e. the son commands the father’s actions.) (116cm x 78cm)